Story Idea #5 – Revolutions big and small

Okay, remember last week when I said I wasn’t going to write about what was going on in Egypt because it was too far out of my social comfort zone – ie. I didn’t know enough about the country or its culture to make it believable and I didn’t want to do the research needed to bring myself up to speed.

Still true, but…I just read a column by Dan Gardner about the psychology of the revolution happening over there which I found truly mind-opening. Maybe obvious to others, but to me the idea of a popular uprising’s success or failure turning on that indefinable swell of a bunch of uncertain people all polling each other to see whether they were going to take part – well, that’s just delicious.

Because Gardner’s column was so well-written, it sparked immediate images of individuals talking politics with their local butcher, their barber, their postal worker, the neighbor they never normally speak to, taking their emotional pulse, their commitment to change.

Doesn’t have to be in Egypt. (Though I just had a great flash of a quick piece following the thoughts of an Egyptian man thinking about the revolution against Mubarak and how it’s finally time and this will be glorious. He prepares, runs into Tahrir Square screaming, and gets gunned down. Because the story is set in 2010, not 2011. He was a man before his time and pays for it.)

It doesn’t even have to be a country-wide revolution to overthrow a dictator. How about an office that’s being run by a petty tyrant? The workers one day have had enough…or have they?

Jorge, who’s recently witnessed the dressing-down of a co-worker that hit so close to Jorge’s situation it made him almost pee his pants, catches the eye of two other workers and believes they feel the same thing. He ventures the idea around the water cooler that if all the workers were to go to the vice-president, they could probably get the petty despot turfed.

Two of the workers at the water cooler get excited by the idea. The third says nothing. Jorge’s scared. If that third worker tells the boss… And if Jorge presses others to join him, the chance of one of the others telling the boss… And if they do start to organize and the boss senses something and implements some countermeasures…

Lots of inherent drama there. The main story decision beyond this would be deciding if this was going to be a “power to the people”/”triumph of the little guy” kind of story or a “you can’t fight the system”/”corporations are ultimately soul-destroying monsters that can’t be beaten” kind of story. That would be your voice – how you tend to see the world, at least on the day or days you’re writing the story.

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Story Idea #4 – sled dogs and discarded lovers

woman with her boot on man's chestI was tempted to go into some different story-generating ideas today, but there’s so much stuff in the paper, it’s just too easy. So I’ll save the other methods for a slow news day.

So what’s happening in the news? Well, we’ve got the whole situation in Egypt. Many many story ideas there if you have the either the knowledge of the region, or can spin something that doesn’t require extensive knowledge but can catch the flavor of the events (e.g. an SF or fantasy riff off the events), or just have a great idea and are willing to do enough research to make it feel real. (We’ll cover how to do that kind of research another time.)

Me, I don’t know modern Egypt or its politics well enough to write what I’d consider a plausible story, so that one gets a pass.

How about US politics? Always something going on there, especially with Sarah Palin and the Tea Party gadding about. Nah, I’ve done one of those and one was frankly enough for me.

Up here in B.C. we’ve got this story about a bunch of sled dogs who were shot because business was off and the owner couldn’t afford to keep them. He apparently appealed to the SPCA for help a number of times and also tried to give them away privately, but sled dogs who’ve been raised on a tether to be sled dogs apparently don’t adapt well to being pets. There were no takers. The business owner pulled out his gun and…

Yeah. Possibilities there. Not for a straight-up story about the sled dogs, because I think the real events are tragic and touching enough by themselves. But translate the situation from dogs to humans… Hm. What kind of habituation for humans would ruin them for anything else? Would they have to be slaves? Do I need to posit a future or fantasy society?

No, let’s think wider. What intrigues me about the whole sled dog story is the idea of a creature becoming so used to one kind of life that they can’t adapt to anything else and have to be discarded. My gut says that happens a lot. Corporate downsizing, obsolete equipment, maybe a kid who’s taught to learn one way and changes schools where everything’s different. Failure to adapt.

What about romance? Could you have a dominant person in a relationship suddenly decide for some reason that the specialized kind of loving her partner has been providing isn’t needed any more? I’m not thinking kinky, though you could certainly go that route. I’m thinking that she (we’ll make it a she because if it’s a he-dominant it could get too creepy) has trained her man to be ultra-sensitive to her needs but now she’s gone through a life change where she needs her man to be strong and independent and made her work a little. And her partner can’t adapt.

Okay, as I flesh this out, I’m thinking it would either be very tongue-in-cheek, or erotica, or take place in an SF or fantasy society, or…be just very cynical and dark. This would not be a healthy relationship. At it’s core it never would have been.That’s my gut sense. And maybe that’s a healthy gut sense, because heaven knows this thing with the sled dogs was not an essentially healthy relationship. At least not for the sled dogs. Not in the end.

This wouldn’t be my favorite kind of story because I see it ending on a gut-punch note. But sometimes I believe you have to write these kind of stories too. You start with the basic setup. Here I think the POV character would be the changing/dissatisfied dominant lover. She’s been trying to pawn off her male sensitive guy on her other acquaintances, even strangers, but nothing’s worked. The world has changed. It doesn’t want this highly sensitive submissive male any more. The story, because this is a short story, remember, would probably be about their final confrontation. Maybe he’d try all his old tricks to understand and soothe her. Maybe she’d be half-soothed and half driven crazy by it.

And maybe…maybe… I’m feeling it here, half-writing it in my head and feeling its flow. Maybe the resolution is that she discovers he’s not as weak and submissive as she thought and she breaks down. He leaves her. Then comes back. Teaching her a lesson. They’re moving on together in a new, changed relationship.

Interesting. I could do that. Might do that. Or you could. Take the idea and run with it. It’ll be completely different when it passes through your brain, your heart, your fingers.

Have fun.

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Story Idea #3

Rather than go to the news today, I’ll just look at my own life. Things just happen, you know? If they affect you deeply, there’s a good chance that the emotion will filter into the writing and that’s good! If you can make people feel with your stories, then you’re at least half way home.

So…events in my life. We have two teenagers in the house. Wonderful kids. Love them to bits. Most interesting thing I’ve noted over the years, though , is that no matter how well one of them is doing at any given point in time, you can count on there being a massive emotional swing the other way in the future. These are the teenage years, after all.

Latest swing involved one of them stomping out of the house and not coming back until very late at night.

And the question again is – what kind of story? Domestic drama? Deep contemplative literary piece about growth, stages of life? YA fiction about [fill in the blank]. SF piece that takes place in another time or on another planet and delves into how teens there handle the anger or growing pangs of the teen years (I’m sure you can spin off some interesting or frightening imaginings).

Me, I’m going with a mystery this time around because the main emotion I experienced was fear. I feared for my child’s emotional stability, for their physical safety out wandering the midnight streets, for their future if we couldn’t work these issues out.

Posit blowup based on (creating fiction scenario here to protect the privacy of my loved ones), say, the discovery of suspicious powder in a daughter’s purse. Suspect cocaine. Major confrontation and blowup re the daughter’s friends and dragging in her behavior for the last number of months.

So she runs out.

That’s the setup. Big storytelling decision here is whose point of view (p.o.v.) to follow. The daughter’s? The mother’s? The father’s? The bad guy’s? A neutral observer (3rd person omniscient)? Some mix of the above? Chances are that you’ll immediately gravitate towards one as being the most natural for you, but it’s worthwhile taking a moment to consider the others. The story ideas that come out may surprise and excite you.

For me, the most obvious p.o.v. would be as the father. I’d probably have him chase the daughter out, have him discover her mixed up with bad guys or kidnapped or hut, and he’d rescue her.

But looking through my list of other possible p.o.v.’s, the next one I’m most attracted to is a mix of p.o.v.’s. Why? Because I’m not coming up with an ultra-complicated plot here. This is the suburbs. And I don’t feel like I’ve got some deep message about life to present. So the fun of this story for me would be in the visceral thrill of the search, the danger, the crossed wires of the different p.o.v.’s (for example, the daughter meets up with her dealer who she believes loves her though he really doesn’t, and the father is tracking the same dealer whom he believes to be one of his daughter’s few upstanding friends). Hopefully it all dovetails into a nice action sequence that has the good father rescue the daughter while the bad guy drug dealer, in some kind of ironic come-uppance, ends up getting shot, stabbed, forcibly overdosed, or bitten to death by mad dogs let loose from the yard of a neighbor the father really can’t stand (might throw in the dogs’ p.o.v. too).

I see a frenetic kind of back and forth p.o.v. swap at the end with a nice little black humor coda.

Where would you take this idea?

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Story Idea #2

ApocalypseFrom the paper today:

A 68-year-old retired tourist is down in Mexico with his wife, in a busy downtown shopping area. A bad guy runs into the crowd with An AK-47 to shoot a 25-year-old gangster in what was presumably a targeted hit. But the AK-47 ain’t the most accurate assassins weapon and the old man, fearing for his wife’s life, leaps to push his wife out of the line of fire. He gets hit, as does a local woman. The police retrieve 50+ shell casings at the scene. The hero husband (Canadian of course) is recovering in the hospital and is going to be fine.

To me that speaks of married love. If I were doing it, it would probably be a literary piece from the husband’s p.o.v. about a couple that had been arguing or just lost their spark after too many years together. And maybe the man is feeling his years, his approaching end of life, his diminishing physical powers, his general sense of meaninglessness. Then the shooter shows up and, just like he’s read about so many times, he experiences the classic reactions to a mortal threat – time distortion, tunnel vision, insensitivity to pain. His instinct to protect his wife, borne of decades of habit and moral convention and what was once profound love, kicks in and he shoves her out of the way of the threat, taking a bullet in his leg for his efforts.

Now as a writer all of the above seems almost like a gift to me. It’s what I pretty much just “see” when I read this story and wonder how the husband felt. It’s the next step in the story that gets really fun. Because here’s where we decide if the husband lives or dies, is barely injured or permanently damaged, learns something profound from the encounter or doesn’t, is changed for the better, worse, or not at all.

(And of course if you’re a die-hard fantasy or surrealist writer, the shooter could have been a manifestation of the man’s subconscious, or an alien, or a messenger of God, or…)

Chances are your worldview (and mood the day you’re writing it) will direct the above choice. Maybe so strongly that it doesn’t even seem like a choice to you. That’s what writers call being carried along by the story, and that’s just fine. It can be very satisfying and may even lead you to the deepest, truest story your subconscious has to offer at the time.

Or maybe even considering the other options for a second will trigger a whole new, earth-shattering (for you) view of the world that you want to share with your readers. That too is good.

So what would you choose? Me, the mood I’m in today, I’d probably have my husband come to a deeper understanding of what his life means both to himself and the people around him. A good, if humbling lesson.

Though now that I look through my musings above, the idea of the gunman being somehow a physical manifestation of the husband’s earlier desires…

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Story Idea #1

A question every fiction writer gets asked is “Where do you get your ideas?” And while the wittier among us come up with things like, “$5 in an envelope to the grocer down on 7th Ave.,” others sometimes try to explain their particular process or just detail what led to the idea for a particular story or book.

I thought it might be interesting to people to instead follow along with me each week in the grabbing, exploration, and shaping of an idea. To get into the meat of the process, or perhaps many different processes, since I, like most writers I know, get their ideas in lots of different ways.

So without further ado, what shall we have for Story Idea #1?

Simple start – let’s look at today’s paper. Always helps to read at least one or two, maybe skim a few more. It’s pretty easy when you can get the juiciest stories culled and delivered to you via e-mail, news-reader, or whatever your personal choice of electronic injection might be. (Me, I read a physical copy of The Vancouver Sun, the North Shore News, Maclean’s, and a bunch of monthly or bi-monthly special interest magazines like Wired. I also scan the electronic versions of the Washington Post and New York Times.)

So, again, today? Well, we’ve got China testing stealthy jets which their civilian leaders pretend to know nothing about, leading to speculation that the Chinese government thinks Obama’s a one-term president so why bother forging a good relationship with him?

And we’ve got Bayer, the giant German pharmaceutical company, trumpeting a drug called ATX-101 that they can inject into people’s double chins to dissolve the location-specific fat. Results take about 16 weeks to be “noticeable.” They expect that when it passes its trials, revenue from it should hit $320 million per year.

And we’ve got a class-action lawsuit against the Newfoundland and Labrador government for introducing moose to the the island of Newfoundland some 100 years ago, thereby making that government responsible for the 700 to 800 cases every year of vehicles hitting moose. (Oh, those crazy Canadians.)

So what kind of writer are we? Thriller? SF? Funny satire? Just for the hell of it, and because I’m in that kind of mood, let’s combine all three.  Let’s say we have a struggling president who is grabbing onto the saber rattling of a threatening Chinese government. His public plan will be to verbally attack. His private plan, cooked up with his personally-appointed new director of the CIA, will be to introduce a genetically-modified, fast-breeding of Canadian moose into Taiwan and then blame both the Canadian and Chinese governments for conspiring to kill Taiwanese citizens. What he doesn’t realize is that his very-popular wife is being treated for her double chin by a secretly rabidly-nationalistic Chinese doctor and these treatments are about to got horribly wrong.

Yeah, I don’t think I could sustain the comic tone this kind of idea would need for an entire novel.  (Though I have friends who could.) So it would probably be a novella or very short novel. But hey, that length, which has generally been death for the last few decades, has a whole new life with e-books. So…

Stay tuned. Next week maybe we’ll come up with something more serious.

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Free short story – The Girl Who Invented Peanut Butter

Hi, everyone. Back from a wonderful Christmas back east where the extended family got together in the lovely Chateau Montebello, kind of the Canadian equivalent of Camp David but more open to the public.  And racing into 2011, I’m excited about some plans I’ve got for this blog. Look for a little bit of structure and a little bit of fun. Something for readers, something for writers. Stay tuned.

But first, a short kid’s story that you can buy off Amazon, Smashwords, and elsewhere, but read for free here.

The Girl Who Invented Peanut Butter
(a should-be-true story)
Terry Hayman

Copyright © 2010 Terry Hayman

There once lived a delicate princess, Malaspina, who was in a terrible state because her father had recently watched the Earl of Sandwich stuff meat between two slices of bread to invent the sandwich.

Now Malaspina’s father insisted that every chef in his castle serve nothing else.

But Malaspina’s tiny hands could barely hold these crusty creations.  Her tiny mouth could hardly open wide enough for one slice of bread, not two, and certainly not with meat in the middle!

“Oh Daddy,” Malaspina begged, “can I at least cut my sandwiches into pieces with my knife and fork?”

“Heavens, no!” roared the king.  “Just squeeze the sandwich together, Daughter.  You can do it.”

She did, squirting out the contents all over her father’s royal robes.

“Aghh!” cried the king, and a call went out across the land.

Whoever could develop the un-messiest sandwich would win the favor of the king and the hand of the princess.  And while Malaspina was not widely regarded as the prettiest princess around, her father did have lots of money, so…

Many suitors answered the call.  First came a stormy-faced knight of Golgoth.  His host of advisers studied the problem up, down, sideways, inside and out, and had their master construct a sandwich of the thinnest bread and most delicate slivers of fish.

Malaspina’s bite sent an anchovy slicing through the upper bread slice like a live eel.

“Eek!” she shrieked.

The next suitor was the blustery Duke of Canteburst, who presented a sandwich made of one piece of bread folded over, thus closing off the food’s rear exit.

Malaspina’s bite made tomato pieces rocket out either side like cannonballs.

“Yaaaaah!” she yelled.

The third suitor, Prince Kassim of Kasbhall, presented a sandwich sewn together with decorative ribbon.  Beautiful.

But when Malaspina untied the ribbon, live insects (a delicacy in Kasbhall), came squirming out to wriggle down her top and buzz around the throne.

“Ook!  Ook!  Ook!” she cried, dancing about and swatting at everything.

Nearby, in the stables, a boy named Peter heard her cries.  He cared nothing for the King’s wealth but had secretly loved Princess Malaspina from the time they were both little.  Oh, he sighed, if only he had something to offer her.

But Peter had little enough for himself.  His parents were dead.  The stable master fed him dry crusts of bread for breakfast and weak soup for dinner.

Still, as weeks went by and no one else succeeded with Malaspina, he formed a plan.  Gathering up the bread crusts he’d been saving by not eating dinner, he went to the cook and traded them all for two slices of freshly-cut bread.

“But what’s for the insides?” asked the cook.

“God provides,” said Peter, who had secretly planted a small garden behind the stables.

The next day…

Knees knocking together, Peter convinced the guards to let him approach Princess Malaspina’s mini-throne.  He was shocked to find her changed from her normal sweet self.  Her eyes were red from crying, her speech hoarse from screaming, her hands shaking from lifting and throwing so many sandwiches.  She did not even recognize Peter when he held up his creation before her.

“What’s this?” she croaked meanly.

“A peanut sandwich, Princess,” Peter replied.  “Very dry so it won’t mess your clothes.  Good for you too.”

She considered him with a squinting red eye, then plucked the sandwich from his hands, and set it on the flat, polished arm of her throne.  Lifting the top piece of bread, she sneered and rolled the peanuts onto the wooden arm of her throne.

“No!” she said.  “I need something delicate.”  She slammed her little fist down onto the peanuts, cracking them into pieces and shooting fragments in all directions.

“I need something un-messy!”  She took off her royal shoe and whacked it thrice on the heap of broken peanuts, until, out of the shower of spraying peanut bits, a small heap of crumbs remained.

“I need something I – can – EAT!”

And with tears in her eyes, she grabbed the large book in which the court scribe was recording the goings on, slammed it down on the peanut crumbs and ground the book back and forth, back and forth, in a wild rage.

“Now,” Malaspina said sweetly as she raised the book and used one slice of Peter’s bread to wipe the mushed peanuts from it and the arm of her throne, “why don’t you take your pieces of bread and get OUT OF HERE!

She slapped the other crust of bread onto the one covered with peanut paste and threw the creation at Peter so hard that he bobbled it.  It bounced high out of his grasp and, as it spun slowly in the air above everyone’s head, a collective gasp of awe resounded through the court.

For this redone sandwich, joined by the mess Malaspina had made with fist, shoe, and book, spun and dropped as one piece into Peter’s hands.

Everyone held their breaths.

“Let me see that!” Malaspina said.

Peter, quivering, obliged.

The princess took Peter’s sandwich with trembling fingers, crunched delicately through the tough crusts, chewed and…smiled!

“Thish ish ree-ee gooo!” she said.

The next month she and Peter were married.  To the grand sound of trumpets and the sticky smacking of lips — the wedding banquet’s official food was, of course, peanut-mush sandwiches carefully prepared by two hundred slamming fists, whacking shoes, and grinding books — Malaspina and Peter rode through their people.  They waved, licked their fingers, waved again.

And lived stickily ever after.

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E-book Christmas gifts

Holidays approaching.  Can you say, Yeah! I knew you could. And whether you’re celebrating Christmas, Hanukkah, Kwanzaa, Eid-al-Adha, Bodhi Day, Winter Solstice, or some other wonderful time, you should know that, along with all those e-readers you’re buying for your friends and family, you can now give the gift of an e-book to go with it.

Most of the e-books sites I checked out, Barnes & Nobles, Sony’s Reader Store, Apple’s iTunes, seem to be doing standard gift cards that you can give to people who redeem them when they purchase their e-books.  Amazon.com does that too, but it’s also offering you the ability to gift a specific book.  That’s kind of cool.  It means that now, rather than giving your Aunt Elizabeth a gift card that she’ll spend on the season two DVDs of The Ghost Whisperer, you can give her the particular book you loved so she’ll actually used the Kindle you bought her and understand why it’s something to fall in love with.

Did I mention that about half my reading is now on my Kindle.  Next into the house will be my wife’s iPad.  (Shh.  Don’t tell her yet.  It’s a surprise.)  We’ll then have the top two e-readers on the planet.  Maybe they’ll mate and produce all sorts of interesting e-kids.

Should be something to see.

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Popcorn kittens

This might be ominous, starting my first blog post with a kitten. It’s not exactly reflective of the tone of most of my writing. But I feel compelled to borrow the phrase “popcorn kittens” from a writers’ workshop I was at that explored this bold new digital publishing age we’re racing into. The phrase came out of a YouTube video you can watch here, that shows lots of kittens doing what kittens do if you put them all together – leap, tumble, bounce, roll, play, nonstop.

The connection with writers and starting this blog in particular? There are always a thousand things a writer can do in their career beyond just writing. E-publishing, with all its exciting possibilities, has just multiplied the urgency of all those things a hundredfold. More eyeballs on your work even if you’re not a bestselling author. More need to be available, in touch, online, plugged in.

So while I’ve never exactly been hiding, here’s my commitment to be ever more present. More blogging, more tweeting, more updating of website. I’m basically full of popcorn kittens. The challenge, as they keep bouncing up with another idea, is to keep writing.

Meow!

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